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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Period Costume</name>
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                <text>TRANS 8.138</text>
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            <description>A name given to the resource</description>
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                <text>Pullman Railway Holiday Coaches at Marazion, 1930</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Rolling Stock</text>
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            <name>Date</name>
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                <text>1930</text>
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                <text>Marazion</text>
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                <text>Angove</text>
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                <text>Morrab library</text>
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                  <text>The photo Archive has acquired a large number of glass negatives and lantern slides from various donations. The topics range from those with local interest to others with interesting topics such as sets of lantern slides of botanical specimens and a wonderful collection of slides of Tresco.</text>
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                <text>Pulpit Rock, St Mary's, Isles of Scilly</text>
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                <text>Lantern Slide</text>
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            <name>Identifier</name>
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                <text>Isles of Scilly</text>
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            <description>An account of the resource</description>
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                <text>Two Ladies in Photo - Photographers?</text>
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                <text>Photograph of Pulpit Rock on St. Mary's, Isles of Scilly.   (Possibly a Gibson photograph as included among some others of the Isles of Scilly)</text>
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            <name>Identifier</name>
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              <description>A name given to the resource</description>
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                  <text>Miscellaneous Photos</text>
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              <description>An account of the resource</description>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Item Location</name>
          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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              <text>B2</text>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>Pump Collar,  Wherry Mine , Wherrytown beach  low tide, Penzance  </text>
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            <name>Date</name>
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                <text>1984-09-26</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>© Morrab Library</text>
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            <name>Identifier</name>
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                <text>Penzance</text>
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                <text>Pump Collar  Wherry Mine , Penzance. </text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Building Name</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Pump Machinery from Nortons Baths after Ash Wednesday Storm 1962</text>
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            <name>Date</name>
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                <text>Pump Machinery from Nortons Baths, opposite Cornwall Terrace&#13;
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                <text>Richards</text>
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                <text>Pump Room Queen Elizabeth II Dry Dock Falmouth</text>
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            <description>The topic of the resource</description>
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                <text>1950</text>
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            <name>Coverage</name>
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                <text>Beam Engine Chimney Winding Engine</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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              <text>4 x 2.5</text>
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                <text>Punt on Crane on Quayside, Crowd watching</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Punt on Crane on Quayside, Crowd watching</text>
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            <name>Creator</name>
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                <text>J Moody - Penzance&#13;
John Moody operated from a studio at No 27 Market Jew Street. His work seems to have been mainly likenesses, carte de visits and cabinet portraits. He was working in the town  until the 1890's. His father ran the Redruth branch</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="156095">
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PC 120</text>
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                  <text>This collection comprises of the family photos of Carlene Edith Harry, who was born in Essex in 1937.&#13;
She was the only child of Edith Sarah Harry (nee Tuck, 1911-1974) and Charles Clifford Harry (known as Clifford, 1904-1997)&#13;
Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
Her working life was spent at the Bank of England. When she eventually moved back to Cornwall she first lived in Truro before finally returning to Pendeen, where she immersed herself in the local community, being an active member of her church, the W.I. and several local history groups.&#13;
Morrab Library holds the publications of the Penwith Local History Group: 'Growing Up in West Cornwall', 'West Cornwall in the Twentieth Century', and 'Homes and households in west Cornwall'. All of these include articles written by Carlene, taken from her father's memories of Carnyorth and other related material.&#13;
Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
On her death in August 2020, Carlene left generous bequests to 7 local charities, confirming again her love of Cornwall and West Penwith in particular.</text>
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      <name>Still Image</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Pupils at Carnyorth School</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Lillian Evelyn Stevens, probably centre, middle row.&#13;
Also written on the back ..."Aunt Maggie Harry-middle row 2nd from left c. 1895"</text>
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            <name>Source</name>
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                <text>Carlene Harry</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1894-1896</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="159673">
                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>H.16</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Carnyorth</text>
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              <description>A name given to the resource</description>
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                  <text>Serena Wadham Archive</text>
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              <description>An account of the resource</description>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <name>Identifier</name>
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          <description>The actual physical size of the original image</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Puppet sequence</text>
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            </elementTextContainer>
          </element>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Puppet sequence, public interacting with possible Guy Fawkes dummy.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Serena Wadham </text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Morrab Library </text>
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                <text>1960-1970</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library </text>
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                <text>Silver Bromide Print</text>
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              <description>A name given to the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <text>Serena Wadham </text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>puppet sequence</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>interior shots of large puppet possibly guy</text>
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            <name>Creator</name>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library </text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Silver Bromide Print</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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              <name>Title</name>
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                  <text>Serena Wadham Archive</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>Serena Wadham</text>
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              <description>An unambiguous reference to the resource within a given context</description>
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              <text>Serena Wadham </text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>puppet sequence</text>
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                <text>interior shots large puppet possibly guy</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Serena Wadham </text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library </text>
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            <name>Date</name>
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                <text>1960-1970</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Silver Bromide Print</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <description>An entity responsible for making the resource available</description>
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                <text>"Philco" Publishing Co., London, W.C.1.</text>
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                <text>c.1930</text>
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                <text>Morrab Library</text>
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                <text>St. Ives</text>
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