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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
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All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
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Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
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All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
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Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
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All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
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Louise from Molly&#13;
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                <text>Frederick Ernest Argall Truro.&#13;
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All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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&#13;
Bertha Glasson</text>
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&#13;
Bertha Glasson</text>
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                <text>Alfred Herbert Hawke was a photographer and postcard publisher based in Helston in Cornwall, whose work was produced during the first half of the 20th century. He worked from a shop and studio in Meneage Street, Helston travelling around the Cornish coastline and villages. No known views of inland locations such as Truro &amp; Bodmin are known to exist. Hawke also visited the north coast of Devon and published views of Clovelly, Coombe Martin and Bucks Mill amongst others. Regular events such as the Helston Flora (Furry) Dance and Padstow Hobby Hoss Day were photographed as were single ones such as shipwrecks, fires and elections. Particular events such as the visit of the Lord Mayor Treloar of London to the Flora Day and St.Keverne in 1907 or the demonstration of the new Helston fire engine in 1910. Some formally posed studio portraits exist but these are unfortunately mainly unidentified. Sets of cards were produced for hotels and country houses, amongst these were the Bay Hotel, Newquay and Godolphin House. He produced also calendars and bookmarks depicting his photgraphs.&#13;
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It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                <text>Portrait of young woman in white dress.</text>
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                <text>Portrait of young woman in white dress.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Henry Opie  Photographer in 1889 in Bond Street Redruth.&#13;
Originally Opie later became Opie Ltd in 1914 operating in Redruth, Truro, Falmouth and Helston.</text>
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It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                <text>Frederick Ernest Argall Truro.&#13;
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
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                <text>Richard Price Griffiths Truro.Born in Holyhead Anglesey in 1819, family came to Truro in 1860. Became Art Teacher and painted into 1880s. At this time Richard had expanded into commercial photography very successfully . Sons joined him and he opened as bookseller, stationer, portrait painter and photographer.</text>
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            <name>Identifier</name>
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                <text>PC 006</text>
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                  <text>Morrab Library</text>
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                  <text>Alfred Edmund Julian Collection</text>
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                <text>Portrait of young woman wearing a white dress sitting beside a cottage.</text>
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            <description>An account of the resource</description>
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                <text>Portrait of young woman wearing a white dress sitting beside a cottage.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>St Ives Archive</text>
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            <name>Publisher</name>
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                <text>Morrab Library</text>
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                <text>Morrab Library</text>
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                <text>Other Glass Negative</text>
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            <name>Identifier</name>
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                <text>AEJ.55</text>
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        <name>1911-1930</name>
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              <description>An account of the resource</description>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="156389">
                <text>Portrait of young woman wearing wide brim black hat</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Portrait of young woman wearing wide brim black hat.&#13;
&#13;
Eleanor Honey</text>
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            <name>Creator</name>
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                <text>Alfred Herbert Hawke was a photographer and postcard publisher based in Helston in Cornwall, whose work was produced during the first half of the 20th century. He worked from a shop and studio in Meneage Street, Helston travelling around the Cornish coastline and villages. No known views of inland locations such as Truro &amp; Bodmin are known to exist. Hawke also visited the north coast of Devon and published views of Clovelly, Coombe Martin and Bucks Mill amongst others. Regular events such as the Helston Flora (Furry) Dance and Padstow Hobby Hoss Day were photographed as were single ones such as shipwrecks, fires and elections. Particular events such as the visit of the Lord Mayor Treloar of London to the Flora Day and St.Keverne in 1907 or the demonstration of the new Helston fire engine in 1910. Some formally posed studio portraits exist but these are unfortunately mainly unidentified. Sets of cards were produced for hotels and country houses, amongst these were the Bay Hotel, Newquay and Godolphin House. He produced also calendars and bookmarks depicting his photgraphs.&#13;
The quality of his work is variable both in composition and printing and similar to the quality of the work of his comtemporaries such as Bragg, Opie and Govier.</text>
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              <elementText elementTextId="156392">
                <text>Morrab Library</text>
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                <text>1900-1950</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="156394">
                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="156395">
                <text>Print</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                <text>St Ives Archive</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                <text>Robert H Preston&#13;
First known photos date from 1860. In 1865 he recorded the visit by Albert Edward and Alexandra ( Prince and Princess of Wales. Produced many carte views, souvenirs and portraits. Became Mayor in 1887-1888. During this time he bought Morrab House which is now the Morrab Library for £3120. He retains an unchallengeable position as the premier cameraman of Victorian Cornwall.</text>
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                  <text>The Chown Collection is a fascinating portrait of Edwardian family life in the village of Townshend. Beautiful composed photographs of horse-drawn vehicles, the arrival of the motor car, and Edwardian costume are all well-covered.&#13;
Dr Chown was a medical doctor in Townsend and the photos show his family including his daughter Dolly who went on to be a doctor herself and his son Jack who sadly died in WW1. </text>
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          <description>Names of individuals identified in the photo.</description>
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            <name>Identifier</name>
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                <text>CHOWN HG 098</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>portrait Philip Tilden architect</text>
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                <text>anno</text>
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                <text>1913</text>
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                <text>Townshend, Cornwall</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Philip Tilden redesigned Buckshead House he also designed Lloyd Georges House 'Chartwell' the home of Winston Churchill</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Chown</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="41477">
                <text>Half Plate Glass Negative</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Dr. Chown</text>
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            <name>Publisher</name>
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                <text>Morrab Library</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Stanley Opie Archaeology</text>
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              <description>The topic of the resource</description>
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                  <text>Archaeology</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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