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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                <text>Gilbert Evans&#13;
Capt Gilbert Evans RE with the largest Perch caught on the Niger River.</text>
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Cast Gilbert Evans RE with the largest Perch caught on the Niger River.</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                <text>Giles Lang, wrecked at Bude November 8th 1896. </text>
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            <description>The topic of the resource</description>
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                <text>Schooner</text>
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                <text>The Giles Lang, a 80-ton was a St. Ives schooner. Launched by Tredwen of Padstow in 1864, she had a chequered career, losing her skipper in one of several collisions off Lizard, and in May 1894 her crew had been rescued by lifeboat in Tranlee Bay. &#13;
&#13;
The master Daniel Hollow master was sailing from Porthcawl to Penzance with coal, which leaking seriously, was beached at Maer Lake in a fresh NNW gale on November 8th 1896. &#13;
&#13;
Description from Clive Carter, Cornish Shipwreck: The North Coast (London: Pen Ltd, 1970), p.160. </text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                <text>Girl - Decorators I</text>
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                <text>Outside house -&#13;
probably London</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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Barbara, who was deaf,  was born in Penzance  on 18th February  1936 to Marjorie and Wilfred Beckerleg.   She attended St. Gertrude's School.  Her mother raised her after her father left.&#13;
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                <text>Pordenack, Land's End</text>
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Sailing trawler of Lowestoft. </text>
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                <text>Account given at the inquest as reported in the Cornishman 1908-06-11&lt;br /&gt;&lt;br /&gt;The stranding of the Lowestoft sailing trawler Girl Annie, near Pordenack Point, Land's End, on May 4th 1908, was investigated at a Board of Trade inquiry held at Lowestoft on Thursday. The local trawling industry was strongly represented, and took keen interest in the proceedings. In opening the inquiry on behalf of the Board of Trade, Mr. Wiltshire said the Girl Annie was, of 53 tons register, and was built six years ago at cost of over £1,400. She was insured for £1,000, and carried a crew of five hands. The vessel left Padstow for Lowestoft on May 3rd, and stranded early on the following day. On Sunday night there was thick fog. The Longships was sighted twelve miles distant, but both this and Pendeen were subsequently obscured by fog. The skipper judged the distance, and kept the foghorn going regularly. At midnight the skipper reckoned he was four or five miles from the Longships. Half an hour later the vessel was put about, Just before two o'clock skipper was below, after ordering the mate to keep a south by east course. It was still foggy, and at 2:40 the vessel struck on Pordenick Point. The mate at first told him they had collided with a ship. The vessel made water fast, and seing it was imposible to save her, as her stern was settling down, they all got into a smal boat, rowed ashore, and informed the coast- guard, who subsequently assisted them to save some of the vessel's gear. Evidence was given by Albert Lockwood, the skipper, who said he took no bearings on Sunday night. He considered they were about six miles north of Pendeen light at ten o'clock, although he did not consult his chart or use his patent log. Witness considered it safe to go below, although he had lost the Longships and Wolf Rock. He did not instruct the mate to use the lead, though he was aware that water shoaled towards the shore. He was surprised to find the vesel on, the rocks, and did not notice at the time whether her course had been altered. The mate had been with him three years, and he felt justified in leaving the vessel in his charge in a thick fog. Cross-examined: He now agreed that the cause of the mishap was his remaining on the eastern track too long. He had sailed that coast for ten years, Thomas Garwood, the mate, said when he took the tiller, just before two, he saw no lights, and did not know where the Longships light was, though he admitted he must have passed close to it. He saw nothing in front, neither did he hear any breakers before the vessel struck. The lead was below, and had never been used for ten weeks. It was not customary to use it. Other evidence having been called at considerable length, Mr. Chamberlain, who represented the owner contended that the skipper was seriously to blame for having set the wrong course, On his own evidence he had cut matters very fine. and was practically guilty of wrongful navigation. The Court adjourned until Friday.</text>
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Barbara married David Thomas and had a son.  She died on 16th May 1995 at St. Julia's Hospice, Hayle.</text>
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                <text>Girl on the sea shore</text>
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                <text>Pages from the Freddie Philips Collection Album. &#13;
One photo removed</text>
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                <text>Glyn Richards</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Girl playing hopscotch in the street. Written on the back by Serena Wadham: 'Ellington Street'</text>
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            <description>An account of the resource</description>
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                <text>Serena photographed women, famous, at work and play and generally going about their business.  These photographs are taken around the streets of Islington where Serena lived. A snapshot of the lives of women in the 1970s.</text>
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                <text>Serena Wadham</text>
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                <text>1970-1980</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Silver Bromide Print</text>
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            <name>Type</name>
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            <name>Identifier</name>
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                <text>Ellington Street Islington</text>
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                  <text>The photo Archive has acquired a large number of glass negatives and lantern slides from various donations. The topics range from those with local interest to others with interesting topics such as sets of lantern slides of botanical specimens and a wonderful collection of slides of Tresco.</text>
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                <text>Quarter Plate Glass Negative</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                  <text>The photo Archive has acquired a large number of glass negatives and lantern slides from various donations. The topics range from those with local interest to others with interesting topics such as sets of lantern slides of botanical specimens and a wonderful collection of slides of Tresco.</text>
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            <description>A name given to the resource</description>
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&#13;
Barbara, who was deaf,  was born in Penzance  on 18th February  1936 to Marjorie and Wilfred Beckerleg.   She attended St. Gertrude's School.  Her mother raised her after her father left.&#13;
&#13;
Barbara married David Thomas and had a son.  She died on 16th May 1995 at St. Julia's Hospice, Hayle.</text>
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            <description>A name given to the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Photograph of Barbara, wearing a headscarf, sitting on a large rock by the sea. Logan Rock in the background to the left.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Girl with cat</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A young girl holding a cat</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="193998">
                <text>M.2932</text>
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        <src>https://mail.photoarchive.morrablibrary.org.uk/files/original/Angove_Collection/8570/PEOP_8.057.tif</src>
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              <name>Title</name>
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                  <text>Angove Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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      <name>Still Image</name>
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        <element elementId="55">
          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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              <text>N</text>
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          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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              <text>No</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>photo</text>
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          </elementTextContainer>
        </element>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PEOP 8.057</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Girl with Model Train Set Engines Coaches Signal</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Children</text>
              </elementText>
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                <text>PlayW</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1970</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Angove</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Girl with model train set including engines coaches and signals.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="119167">
                <text> John Lyne (photographer), Claremont House, Exeter Street, Launceston PL15 9EQ</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="119169">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
              </elementText>
            </elementTextContainer>
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