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                  <text>Lamorna Birch Family Photos</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                <text>A Deadlock&#13;
A caricature of Laura Knight's 1914 RA exhibit 'March Many Weathers'</text>
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                <text>A Deadlock&#13;
A caricature of Laura Knight's 1914 RA exhibit March Many Weathers'</text>
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                <text>1914</text>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                <text>A Dennis Charabanc, an early open top bus used for sight seeing, beach excursions and annual works outings .</text>
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                <text>A Dennis Charabanc, an early open top bus used for sight seeing, beach excursions and annual works outings .</text>
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                <text>C1910-1920</text>
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            <name>Identifier</name>
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      <name>Still Image</name>
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          <name>Damaged?</name>
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              <text>No</text>
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              <text>151x106mm</text>
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                <text>A derelict old ship's lifeboat at the Old (Medieval) Pier, Newlyn.</text>
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            <name>Identifier</name>
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                <text>Newlyn</text>
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            <description>An account of the resource</description>
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                <text>End of the Old Pier is on the far right, looking across to the North Pier. Low buildings can be seen on the distant North Pier, indicating a time after WW2.</text>
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                <text>1950 estimate.</text>
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                <text>Morrab Library</text>
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                <text>Print</text>
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            <name>Type</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Photos</text>
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              <description>An account of the resource</description>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Damaged?</name>
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                <text>A distant view of Wherrytown and Penzance showing Bodilly's Mill and Serpentine Works .</text>
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                <text>A distant view of Wherrytown and Penzance showing Bodilly's Mill and Serpentine Works .</text>
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                <text>Richards</text>
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                <text>Jeannette Williams</text>
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                <text>C 1900</text>
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                <text>Penzance</text>
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              <description>An account of the resource</description>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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                  <text>Stanley Opie</text>
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          <name>Acknowledgements</name>
          <description>Funding acknowledgements where appropriate.</description>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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                <text>Mining</text>
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      <name>Still Image</name>
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          <name>Acknowledgements</name>
          <description>Funding acknowledgements where appropriate.</description>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Ancient Implements </text>
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                <text>249.0</text>
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                <text>Lelant nr. Hayle</text>
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            <name>Format</name>
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                <text>Quarter Plate Glass Negative</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A ferule ?and pot?</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A ferule ?and pot?. </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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                <text>O.30</text>
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        <name>archaeology</name>
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                  <text>Angove Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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      <name>Still Image</name>
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          <name>Period Costume</name>
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              <text>N</text>
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          <name>Original Format</name>
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            <elementText elementTextId="101792">
              <text>photo of postcard</text>
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          <name>Damaged?</name>
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            <name>Identifier</name>
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                <text>ARTS 9.001</text>
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            <description>A name given to the resource</description>
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                <text>A Few Lines from Dear Old Cornwall</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Anno</text>
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                <text>1970</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>An unnumbered Frith postcard (printed in Saxony as many of them were). One of a variety of this type to be found in old collections. This card titled 'A few lines from Dear Old Cornwall' is a mock letter written in Cornish dialect with a blank for the sender to fill in the name.&#13;
&#13;
It reads:&#13;
&#13;
My dear -----&#13;
i now take my pen in hand to write you these few lines hopeing this will find you quite well has this do leave me at present tez lovely weather hear how are you gettin on you'm some stranger our way excuse more this time has i ave won or to more too write two an i donate want to miss the poast. Love to ee both.&#13;
&#13;
Aunt Martha</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Angove</text>
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            <name>Publisher</name>
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                <text>Morrab Library</text>
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                <text>Morrab Library</text>
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                <text>Print</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Stanley Opie Archaeology</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Archaeology</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Stanley Opie</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="63">
          <name>Acknowledgements</name>
          <description>Funding acknowledgements where appropriate.</description>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Buildings</text>
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                <text>Archaeology</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Falmouth</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Quarter Plate Glass Negative</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A fireplace inside Pendennis Castle</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A fireplace inside Pendennis Castle. </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <description>An account of the resource</description>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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            <name>Title</name>
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                <text>A Fish</text>
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            <description>An account of the resource</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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