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                <text>Princess of Wales going down Botallack Mine.    </text>
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                <text>Princess of Wales going down Botallack Mine</text>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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                <text>Princess Royal estate,  Alverton, Penzance.&#13;
c. 1956</text>
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                <text>C Appleby</text>
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                  <text>These items were donated to The Morrab Library Photo Archive by Newlyn Archive, as they concentrate on records specific to Newlyn.   There is a variety of subjects ranging from images of old Penzance, to various theatricals, including at The Minack. &#13;
&#13;
Photographs NA.019 to NA.043 are all annotated 'Porthcurno Minnack 1999' , and relate to a performance of The Trojan Women.   A list of cast members is shown in NA.019a, attached to NA.019&#13;
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Many items are referenced as coming from WC Archive, which may refer to West Cornwall Archive.</text>
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                <text>Principal actors from the Trojan Women</text>
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                <text>The Studio, Penzance</text>
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                <text>Print of 'The Nile'</text>
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                <text>Postcard of an etching of 'The Nile' . Wrecked off Godrevy Point partially responsible for a campaign to instal a lighthouse on Godrevy &#13;
Source: Wikipedia&#13;
The Nile, an iron-hulled screw steamer, was built at Dumbarton in 1850. She was first operated by the Moss Line of Liverpool and inaugurated the line's Mediterranean service. In 1853 her ownership passed to James Stirling of Dublin and her operations to the British and Irish Steam Packet Company&#13;
Loss&#13;
On her last voyage, Nile was travelling from Liverpool to London, calling at Penzance, Falmouth, Plymouth and Portsmouth en route. She was carrying a cargo of heavy merchandise and could also accommodate passengers at low rates, though due to the late time of year few people would have taken such a roundabout route.[1] She had been due to leave Liverpool on Sunday 26 November but due to bad weather had to delay her journey for two days.[3] She left Liverpool on the evening of Tuesday 28 November and was last seen about 40 miles (64 km) from the Longships Lighthouse on the evening of 30 November, making her way through rough seas and high winds.[1]&#13;
The following day, a ship sailing from Hayle to Penzance spotted oil floating on the water. Later on 1 December it became apparent that an accident had overtaken the Nile when papers addressed to the captain, spars, empty casks and other debris were washed ashore at Portreath. The ship's stern was spotted a day or two later and several bodies, five of which were female, were washed ashore at Tehidy. One of them was identified as the stewardess of the Nile.[1]&#13;
Cause and casualties of the disaster&#13;
The cause of the disaster was not definitively established. It is likely that the captain, W.F. Moppett of Dublin, drifted off course by about 18 to 20 miles in the bad weather, resulting in the ship hitting The Stones. The Nile may have managed to back away from the rocks but foundered in 12 to 14 fathoms of water. Those aboard were either unable to escape due to the ship's rapid disintegration or were overwhelmed by the waves when they tried to launch the lifeboats.[1] The ship was thought to have struck the rocks around 2 or 3 am shortly after the flood tide, judging by the disposition of the wreckage in St Ives Bay.[3]&#13;
&#13;
There were about 24 crew aboard, consisting of the captain, two mates, a steward and stewardess, carpenter, boatswain, 18 engineers, stokers and sailors.[4] The number of passengers was unclear. Several missed the ship's departure due to its late exit from Liverpool. One man had a fortunate escape when he spent too long drinking ashore with a friend and missed the ship's departure. He hurried on to Bristol via another steamer and travelled overland to Hayle to catch up with the Nile so that he could be reunited with his luggage, which was still aboard, but found on arriving that he had lost his luggage but saved his life. Another man arrived at the ship just as the bridge to the deck was being removed and offered a shilling to a porter to replace it, but was refused; he thus missed the departure and unknowingly escaped the shipwreck.[3] The value of the Nile was estimated at around £40,000 to £50,000 (around £3.2 million to £4 million in 2013 prices) and was almost fully insured, but much of the cargo – mainly goods from Manchester despatched to drapers at Penzance, Truro and Falmouth – was uninsured and the consignees suffered heavy losses as a result of the sinking.[4]&#13;
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                <text>Malcolm Waters</text>
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                <text>Print of a painting by   Stanhope Forbes, 1906.</text>
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                <text>Early view from the Strand (Street-an-Nowan).</text>
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  <item itemId="19851" public="1" featured="0">
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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      <name>Still Image</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Print of a painting of  winter scene</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="173662">
                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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  <item itemId="8077" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Angove Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="55">
          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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              <text>N</text>
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          <name>Subject Era</name>
          <description>e.g. "Victorian" or a later photo related to an earlier date. For example a 1920 photo of a ship wrecked in 1914 - enter 1914 into this field.</description>
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              <text>1852</text>
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          <name>Original Format</name>
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              <text>photo</text>
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          <name>Building Name</name>
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              <text>Parson and Clerk Rock</text>
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          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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              <text>No</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ARTS 8.010</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Print of Landslip on S Devon Railway at Dawlish</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Picture</text>
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              <elementText elementTextId="54559">
                <text>Train Steam People Cliff Sea</text>
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                <text>Anno MWork MPlayWC</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1979</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Dawlish</text>
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                <text>Teignmouth</text>
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                <text>Parson and Clerk Rock</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="54565">
                <text>Photo reproduction of print sold at Sothebys in 1979. Part of Estate of Earl Beauchamp.&#13;
&#13;
Clipping from The Westcountryman (19/5/1979):&#13;
"This 19th century print, part of a collection of railway prints being sold at Sotheby's next Friday, by order of the executors of the late Earl Beauchamp, is expected to fetch between £300 and £500. The print, depicting the South Devon Railway, shows the result of a landslip near the Parson and Clerk Rock between Dawlish and Teignmouth on December 29, 1852."</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Angove</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="101642">
                <text>Morrab Library</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="101643">
                <text>Print</text>
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  <item itemId="19459" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Photos</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Print of Old Newlyn Harbour</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="170108">
                <text>Artist unknown</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1890-1920</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="170110">
                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>M.2390</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Newlyn</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Photos</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Print of St Ives harbour</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="170166">
                <text>Print number 25. Unknown artist</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1890-1930</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="170168">
                <text>Morrab Library</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="170169">
                <text>Print</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>M.2392</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>St Ives</text>
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  <item itemId="17697" public="1" featured="0">
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
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              <text>6 x 4.25</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Print of St Mary's Hugh Town and Pool ,Scilly</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="155218">
                <text>Print of St Mary's Hugh Town and Pool ,Scilly</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Morrab Library</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="155220">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>PC 65</text>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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              <text>B2</text>
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            <description>An account of the resource</description>
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                <text>Print of the edge of the early filling in of Penzance Harbour car park by the Albert Pier from the Borough Surveyors Office. </text>
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            <name>Source</name>
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              <elementText elementTextId="30991">
                <text>don P Tresidder</text>
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            <name>Date</name>
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                <text>1966</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>© Morrab Library</text>
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            <name>Type</name>
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                <text>Penzance, Cornwall</text>
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                <text>Print showing the edge of the early filling in of Penzance Harbour. for the car park.</text>
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                <text>Morrab Library</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Building Name</name>
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          <name>Period Costume</name>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Private Apartment East End of St Michaels Mount</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Castle Out</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1960</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Marazion</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>East end of St Michael's Mount castle, a private apartment</text>
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                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>BUILD 7PG 276</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Private Hotel, Penzance</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Hotel</text>
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            <name>Date</name>
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              <elementText elementTextId="70297">
                <text>1937</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="176314">
                <text>Private Hotel, Bay View Terrace, Penzance.&#13;
Image taken from Bowling Green&#13;
Note lamppost on right and signage on building</text>
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            <name>Publisher</name>
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                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="176316">
                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Postcard Glass Negative</text>
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        <name>1931-1950</name>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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          <name>Physical Dimensions</name>
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                <text>Private study for senior students</text>
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            <name>Creator</name>
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                <text>Serena Wadham&#13;
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Silver Bromide Print</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
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Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
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  <item itemId="22825" public="1" featured="0">
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                  <text>An album of photos was donated to the library with no information attached other than a signature inscribed inside the cover.&#13;
'Florence M. Woodman Turner April 1907'.&#13;
From this name we found that this lady was born in Essex in 1885, died in 1977 and was buried in Marazion cemetery.&#13;
She was the daughter of Samuel Thomas Turner and Florence Maud Dennis, the latter being the daughter of Charles Dennis and Mary Woodman who lived at The Bungalow, Perran Crossroads. (Now a Chinese restaurant.)&#13;
Many of the family came down from Essex to visit Charles and Mary, and later settled here themselves.&#13;
They took many photos of the countryside around the area.&#13;
Also in the album are many photos of the family at home in Essex.&#13;
Florence M.Woodman Turner married Charles Henry Lee, son of Henry Lee, butler for Lord St. Levan on St Michaels Mount.</text>
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              <name>Creator</name>
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                  <text>Florence M. Woodman Turner</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
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                  <text>Morrab Library</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Prize Bull</text>
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                <text>Prize Bull</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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              <text>Mr Edmund Eddy</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Prize bull being held in field by two men</text>
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            <description>The topic of the resource</description>
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                <text>MPlay Anno</text>
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            <name>Date</name>
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                <text>c. 1960</text>
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            <description>An account of the resource</description>
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                <text>Bull owned by Mr Emanuel Eddy. With his son at Chyenhal Farm.</text>
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            <name>Source</name>
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        <name>Agriculture</name>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Period Costume</name>
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            <description>The topic of the resource</description>
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              <elementText elementTextId="83865">
                <text>Birds</text>
              </elementText>
              <elementText elementTextId="83866">
                <text>Mplay</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="83868">
                <text>c. 1930</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="83869">
                <text>Unknown</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="83870">
                <text>Richards</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="126920">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="126921">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="126922">
                <text>Print</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="2441">
        <name>1911-1930</name>
      </tag>
      <tag tagId="480">
        <name>Agriculture</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="11302" public="1" featured="0">
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      <file fileId="15426">
        <src>https://mail.photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/11302/ANIM_2CG_045.tif</src>
        <authentication>adb904f367ca23680be0fa658cef1cba</authentication>
      </file>
    </fileContainer>
    <collection collectionId="6">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Richards Collection</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="94467">
                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="55">
          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
          <elementTextContainer>
            <elementText elementTextId="84085">
              <text>N</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="84080">
                <text>ANIM 2CG 045</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="84081">
                <text>Prize dairy cow &amp; owner with trophy in field</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="84086">
                <text>1955</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="84087">
                <text>Unknown</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="84088">
                <text>Richards</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="173678">
                <text>Farmer with dairy cow and trophy in front of house.&#13;
Trophy is the Harry Cock Cup from Camborne Show Society.&#13;
Quote from Camborne Show website. "The cattle section still present one of their most prestigious trophies, The Harry Cock silver Cup. Harry was the first cattle section secretary and the manager of Lloyds Bank Camborne. Harry’s great grandson Jonathon can be found today in Lloyds Bank Camborne/Redruth."&#13;
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              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="173679">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="173680">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="173681">
                <text>Cabinet Glass Negative</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="2453">
        <name>1951-1970</name>
      </tag>
      <tag tagId="480">
        <name>Agriculture</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
