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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>STRT 28OF 222</text>
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                <text>Main street through Copperhouse Hayle,    1910</text>
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                <text>1910</text>
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                <text>Hayle, Cornwall</text>
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            <name>Source</name>
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                <text>Richards</text>
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                  <text>The Ronald Garlick Newport Collection of Gibson Wreck Photographs</text>
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                  <text>A collection of mostly shipwreck photographs mostly by Gibson of Penzance.&#13;
References:&#13;
CSI: Richard Larn &amp; Clive Carter, Cornish Shipwrecks, Vol 1: The South Coast, 1969&#13;
DSA: Charles Hocking, Dictionary of Disasters at Sea During the Age of Steam 1824-1962, 1969 2 volumes&#13;
PSD: David L Williams, A Dictionary of Passenger Ship Disasters, 2009&#13;
WR: Cyrill Noall &amp; Graham Farr, Wreck and Rescue Round the Cornish Coast, 3 vols, 1964-5&#13;
Larn: Richard Larn Cornish Shipwrecks: the Isles of Scilly&#13;
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                <text>Maipu, Hell Bay, Isles of Scilly, 1879</text>
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                <text>Gibson</text>
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                <text>Morrab library</text>
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                <text>Hell Bay, Isles of Scilly</text>
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                <text>The Liverpool barque, Maipu, was the largest sailing sailing shipped (being 594 tons gross) wrecked in Hell Bay. The Maipu was bound from Inquique, Chile, to Hamburg with a valuable cargo of saltpetre, she went ashore only a few hours prior to River Lune. &#13;
&#13;
With a crew of seventeen, the Maipu had called at Cork and was attempting to weather the Isles of Scilly in fog, when captain Thomas Wheeler thought he heard breakers ahead.  The second mate went forward to listen, but could not hear nothing for the sound of wind drumming in the foresail. Unsure of his position, the captain ordered the helm to be put up in order to wear ship but the order was never obeyed, for the moment land was sighted ahead, under the lee bow. With helm hard down, spanker haul taut and gaff topsails set, the Maipu started to come about, then struck the rocks a terrific blow and began to sink slowly by the bows. &#13;
&#13;
The Maipu which had been launched at Birkenhead in 1865, was declared a total loss and on August 18th, seventeen days after her wreck had been sold to some Brier men for £7, she went to pieces on the beach. &#13;
&#13;
Description of wreck, from Richard Larn, Cornish Shipwrecks: The Isles of Scilly (Newton Abbot: David &amp; Charles, 1971), p.133 and 134.</text>
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                  <text>Angove Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>Major-General L.B. Nicholls, Mrs Nicholls, W.E. Cleaver, E. Mockett, R.L. Histed, H.A. Nash</text>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Maj-Gen LB Nicholls proposed C&amp;W Training School</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>1948-10-08</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Porthcurno</text>
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            <description>An account of the resource</description>
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                <text>Major-General L.B. Nicholls visiting Porthcurno to view the site of the proposed £42,000 training school at Porthcurno. Left to right: W.E. Cleaver (principal of L.T.S. (?) and future principal of Porthcurno School); Mrs Nicholls; Major-General Nicholls; E. Mockett (staff manager); R.L. Hosted (Manager, Engineer); and H.A. Nash (deputy engineer).</text>
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                <text>Angove</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>H.L. Penhaul (photographer), Westville, Gulval, Penzance</text>
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              <description>An account of the resource</description>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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          <name>Acknowledgements</name>
          <description>Funding acknowledgements where appropriate.</description>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39184">
                <text>Settlement Related Sites</text>
              </elementText>
              <elementText elementTextId="39190">
                <text>Archaeology</text>
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            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="39185">
                <text>Magor, Illogan, nr. Redruth</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39187">
                <text>Quarter Plate Glass Negative</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39188">
                <text>Major Farm Roman villa</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39189">
                <text>Roman villa. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39191">
                <text>Morrab Library</text>
              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="116388">
                <text>Stanley Opie</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="119804">
                <text>O.854</text>
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    <tagContainer>
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        <name>Archaeology</name>
      </tag>
    </tagContainer>
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  <item itemId="12878" public="1" featured="0">
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="54">
          <name>Item Location</name>
          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
          <elementTextContainer>
            <elementText elementTextId="97453">
              <text>Conservation Box, Drawer D3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="58">
          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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            <elementText elementTextId="97455">
              <text>Marrack</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="97450">
                <text>M.546/46/2</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="97451">
                <text>Major Marrack.   3 South Terrace ?</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="97452">
                <text>Major Marrack</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="97454">
                <text>N</text>
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        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="20379" public="1" featured="0">
    <fileContainer>
      <file fileId="16358">
        <src>https://mail.photoarchive.morrablibrary.org.uk/files/original/Geoffrey_Harvey_Album/20379/GHA.046B.tif</src>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Geoffrey Harvey Album </text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="175230">
                  <text>Cartes de Visites Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="175231">
                  <text>Early photos of Penzance people "the great and the good". The photo of Princess Alexandra is part of a larger photo by Robert Preston. We are therefore attributing all the photos to Robert Preston (Penzance photographer), b 1838, d 1933. His earliest photographs date from 1860</text>
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            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="175232">
                  <text>Morrab Library</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <elementText elementTextId="175233">
                  <text>Penzance</text>
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            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="179806">
                  <text>Given by Mrs Caroline Jackson who was given the album by her father, Geoffrey Harvey (1907-1993) of Penzance, Solicitor. She believes it was given to her father by a client. </text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="60">
          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
          <elementTextContainer>
            <elementText elementTextId="178525">
              <text>Glued into album - crinkled </text>
            </elementText>
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        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="178518">
                <text>Major Marrack</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="178519">
                <text>Robert Preston</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="178520">
                <text>Film negative from the album.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="178521">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="178522">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="178523">
                <text>GHA.046B</text>
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            </elementTextContainer>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="178524">
                <text>Penzance</text>
              </elementText>
            </elementTextContainer>
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    </elementSetContainer>
  </item>
  <item itemId="7482" public="1" featured="0">
    <fileContainer>
      <file fileId="92">
        <src>https://mail.photoarchive.morrablibrary.org.uk/files/original/Angove_Collection/7482/ARTS_8.007.tif</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="42936">
                  <text>Angove Collection</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="94468">
                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="55">
          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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            <elementText elementTextId="49398">
              <text>N</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="101625">
              <text>photo</text>
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        </element>
        <element elementId="59">
          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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              <text>No</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="49393">
                <text>ARTS 8.007</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49394">
                <text>Major Oak Tree in Sherwood Forest near Edwinstowe</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49395">
                <text>Postcard</text>
              </elementText>
              <elementText elementTextId="49396">
                <text>Tree</text>
              </elementText>
              <elementText elementTextId="49397">
                <text>Anno</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49399">
                <text>1970</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="49400">
                <text>Sherwood Forest</text>
              </elementText>
              <elementText elementTextId="101623">
                <text>Nottinghamshire</text>
              </elementText>
              <elementText elementTextId="101624">
                <text>Edwinstowe</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49401">
                <text>The Major Oak tree in Sherwood Forest (Nottinghamshire). Oak trees here are said to date from mediaeval times or even Norman times. This tree, hollow inside with room for a small group of people, is near the village of Edwinstowe. The church in the village is reputedly where Robin Hood married Maid Marion.&#13;
&#13;
The caption reads: "Major Oak. Age 1,500 years. Girth 35 feet. Base 64 feet."&#13;
&#13;
"The 500-year-old Major oak tree, reputed to have been Robin Hood's hideout in Sherwood Forest, Nottinghamshire, which was badly damaged by fire last August, has survived, experts said yesterday." (10/5/1983)</text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="49402">
                <text>Angove</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="101620">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="101621">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="101622">
                <text>Print</text>
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  <item itemId="22978" public="1" featured="0">
    <fileContainer>
      <file fileId="19658">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Turner/Dennis Album</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="177225">
                  <text>An album of photos was donated to the library with no information attached other than a signature inscribed inside the cover.&#13;
'Florence M. Woodman Turner April 1907'.&#13;
From this name we found that this lady was born in Essex in 1885, died in 1977 and was buried in Marazion cemetery.&#13;
She was the daughter of Samuel Thomas Turner and Florence Maud Dennis, the latter being the daughter of Charles Dennis and Mary Woodman who lived at The Bungalow, Perran Crossroads. (Now a Chinese restaurant.)&#13;
Many of the family came down from Essex to visit Charles and Mary, and later settled here themselves.&#13;
They took many photos of the countryside around the area.&#13;
Also in the album are many photos of the family at home in Essex.&#13;
Florence M.Woodman Turner married Charles Henry Lee, son of Henry Lee, butler for Lord St. Levan on St Michaels Mount.</text>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                <elementText elementTextId="177226">
                  <text>Florence M. Woodman Turner</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="177227">
                  <text>Morrab Library</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1900-1910</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
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                  <text>Morrab Library</text>
                </elementText>
              </elementTextContainer>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Making Hay</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Making Hay</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="198202">
                <text>Morrab Library</text>
              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>TA.249</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Angove Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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                <text>Making Lobster Pots at Porthgwarra</text>
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                <text>Postcard depicting a man with a pipe making lobster pots at Porthgwarra.</text>
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            <name>Creator</name>
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                <text>Photo by Johnston Sennen Land's End</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <description>Names of individuals identified in the photo.</description>
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                <text>BANDS 5HF 033</text>
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            <description>A name given to the resource</description>
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                <text>Male Female singers pianist Richmond Chapel</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Penzance, Cornwall</text>
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                <text>Pianist Norris Williams</text>
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                <text>Morrab Library</text>
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&#13;
Her father Herbert  (who was a cousin to the three Richards brothers, photographers)  served as a gunner in the First World War.  The family were involved in St Just carnivals and Herbert made some of the floats.  He was also involved in raising funds for building the  clock tower.&#13;
&#13;
Beryl worked at the telephone exchange in Penzance where she became the Night Manager inOctober 1976.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Tom Gwynn</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Period Costume</name>
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          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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                <text>Male Voice Choir possible Hayle outside building</text>
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            <description>The topic of the resource</description>
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                <text>Societies</text>
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                <text>COLLINS.117A</text>
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            <description>A name given to the resource</description>
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                <text>On October 15th 1889, the miners of St Just awoke to find the Cunarder Malta on the rocks, half a mile east of Cape Cornwall, beneath the Wheal Castle Mine. &#13;
&#13;
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&#13;
She had left Liverpool on October 14th 1889, bound for Genoa via Falmouth, with 2,000 tons of general cargo and nineteen passengers. &#13;
&#13;
Hazy weather thickened off Lundy, but Captain Richard Lavis decided not to reduce speed as the elderly Malta could barely raise nine knots. It was not until nearing Land's End and having failed to sight either Trevose Head or Godrevy light that speed was reduced and the lead prepared. &#13;
&#13;
The Malta then idled ahead until a lookout saw breakers on the port quarter, and she slid gently ashore below the black, dripping cliffs o Kenidjack Castle Headland. At first few on board realized that they were shipwreck. No on was quite sure where they were; above the roar of the swell came a rhythmic thudding that was assumed to be a railway engine, but in reality was the sound of the stamps crushing ore at the nearby cliff-top mine of Botallack. &#13;
&#13;
Cottagers from St. Just, Pendeen and Botallack were converging on the headland and as the Malta's boat came in two brothers waded out to it. Like most St Just miners, Edward and William Roberts knew the coast intimately working their own boat when work underground was slack, or in the summer evenings. They made several trips piloting the heavily laden ship's boat into a narrow gully, with the seas sweeping around them and guided only by lanterns. Coastguards and other miners helped the shaken passengers up the steep cliff, and soon they were all gathered before cottage fires at St Just.&#13;
&#13;
The Malta was only flooded forward so the crew stayed on board but at daybreak Falmouth tugs failed to shift her. By 11am she was pounding so heavily that the crew transferred to Sennen lifeboat and the tugs. Deck gear, stores, and baggage were salvaged, but at dusk one of the Malta's boat capsized, and James Roberts , one of the six Sennen Fishermen manning her, was drowned. &#13;
&#13;
The following evening a hard WNW gale got up, and by dawn the Maltas masts and funnel had gone and she had split amidships. Her cargo provided the best display since the Le Landois; bolts of velveteen, calico, muslin, linen sheets, rugs, and carpets, casks of palm oil, kegs of spirits, handkerchiefs, bottles of wine and beer, and rolls of India rubber littered the coast. &#13;
&#13;
At a Board of Trade inquiry in November, Captain Lavis, though given an excellent character by Cunard, was found guilty of not navigating with due care and in a proper and seamanlike manner, and his certificate was suspended for three months.&#13;
&#13;
Description from Clive Carter, Cornish Shipwrecks: The North Coast (London: Penn Ltd, 1970), p. 21-22. </text>
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CSI: Richard Larn &amp; Clive Carter, Cornish Shipwrecks, Vol 1: The South Coast, 1969&#13;
DSA: Charles Hocking, Dictionary of Disasters at Sea During the Age of Steam 1824-1962, 1969 2 volumes&#13;
PSD: David L Williams, A Dictionary of Passenger Ship Disasters, 2009&#13;
WR: Cyrill Noall &amp; Graham Farr, Wreck and Rescue Round the Cornish Coast, 3 vols, 1964-5&#13;
Larn: Richard Larn Cornish Shipwrecks: the Isles of Scilly&#13;
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                <text>On October 15th 1889, the miners of St Just awoke to find the Cunarder Malta on the rocks, half a mile east of Cape Cornwall, beneath the Wheal Castle Mine. &#13;
&#13;
The 2,244-ton Malta had been launched in 1865 by G. &amp; J. Thompson of Glasgow for the Mediterranean service of the early Cunard Line. Brig rigged with a tall funnel, she was 39tft 3 inches in beam, and 303 ft long, excluding her magnificent female figurehead.  The engines were two-cylinder compounds by J. Jack &amp; Co of Liverpool. &#13;
&#13;
She had left Liverpool on October 14th 1889, bound for Genoa via Falmouth, with 2,000 tons of general cargo and nineteen passengers. &#13;
&#13;
Hazy weather thickened off Lundy, but Captain Richard Lavis decided not to reduce speed as the elderly Malta could barely raise nine knots. It was not until nearing Land's End and having failed to sight either Trevose Head or Godrevy light that speed was reduced and the lead prepared. &#13;
&#13;
The Malta then idled ahead until a lookout saw breakers on the port quarter, and she slid gently ashore below the black, dripping cliffs o Kenidjack Castle Headland. At first few on board realized that they were shipwreck. No on was quite sure where they were; above the roar of the swell came a rhythmic thudding that was assumed to be a railway engine, but in reality was the sound of the stamps crushing ore at the nearby cliff-top mine of Botallack. &#13;
&#13;
Cottagers from St. Just, Pendeen and Botallack were converging on the headland and as the Malta's boat came in two brothers waded out to it. Like most St Just miners, Edward and William Roberts knew the coast intimately working their own boat when work underground was slack, or in the summer evenings. They made several trips piloting the heavily laden ship's boat into a narrow gully, with the seas sweeping around them and guided only by lanterns. Coastguards and other miners helped the shaken passengers up the steep cliff, and soon they were all gathered before cottage fires at St Just.&#13;
&#13;
The Malta was only flooded forward so the crew stayed on board but at daybreak Falmouth tugs failed to shift her. By 11am she was pounding so heavily that the crew transferred to Sennen lifeboat and the tugs. Deck gear, stores, and baggage were salvaged, but at dusk one of the Malta's boat capsized, and James Roberts , one of the six Sennen Fishermen manning her, was drowned. &#13;
&#13;
The following evening a hard WNW gale got up, and by dawn the Maltas masts and funnel had gone and she had split amidships. Her cargo provided the best display since the Le Landois; bolts of velveteen, calico, muslin, linen sheets, rugs, and carpets, casks of palm oil, kegs of spirits, handkerchiefs, bottles of wine and beer, and rolls of India rubber littered the coast. &#13;
&#13;
At a Board of Trade inquiry in November, Captain Lavis, though given an excellent character by Cunard, was found guilty of not navigating with due care and in a proper and seamanlike manner, and his certificate was suspended for three months.&#13;
&#13;
Description from Clive Carter, Cornish Shipwrecks: The North Coast (London: Penn Ltd, 1970), p. 21-22. </text>
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                <text>On October 15th 1889, the miners of St Just awoke to find the Cunarder Malta on the rocks, half a mile east of Cape Cornwall, beneath the Wheal Castle Mine. &#13;
&#13;
The 2,244-ton Malta had been launched in 1865 by G. &amp; J. Thompson of Glasgow for the Mediterranean service of the early Cunard Line. Brig rigged with a tall funnel, she was 39tft 3 inches in beam, and 303 ft long, excluding her magnificent female figurehead.  The engines were two-cylinder compounds by J. Jack &amp; Co of Liverpool. &#13;
&#13;
She had left Liverpool on October 14th 1889, bound for Genoa via Falmouth, with 2,000 tons of general cargo and nineteen passengers. &#13;
&#13;
Hazy weather thickened off Lundy, but Captain Richard Lavis decided not to reduce speed as the elderly Malta could barely raise nine knots. It was not until nearing Land's End and having failed to sight either Trevose Head or Godrevy light that speed was reduced and the lead prepared. &#13;
&#13;
The Malta then idled ahead until a lookout saw breakers on the port quarter, and she slid gently ashore below the black, dripping cliffs o Kenidjack Castle Headland. At first few on board realized that they were shipwreck. No on was quite sure where they were; above the roar of the swell came a rhythmic thudding that was assumed to be a railway engine, but in reality was the sound of the stamps crushing ore at the nearby cliff-top mine of Botallack. &#13;
&#13;
Cottagers from St. Just, Pendeen and Botallack were converging on the headland and as the Malta's boat came in two brothers waded out to it. Like most St Just miners, Edward and William Roberts knew the coast intimately working their own boat when work underground was slack, or in the summer evenings. They made several trips piloting the heavily laden ship's boat into a narrow gully, with the seas sweeping around them and guided only by lanterns. Coastguards and other miners helped the shaken passengers up the steep cliff, and soon they were all gathered before cottage fires at St Just.&#13;
&#13;
The Malta was only flooded forward so the crew stayed on board but at daybreak Falmouth tugs failed to shift her. By 11am she was pounding so heavily that the crew transferred to Sennen lifeboat and the tugs. Deck gear, stores, and baggage were salvaged, but at dusk one of the Malta's boat capsized, and James Roberts , one of the six Sennen Fishermen manning her, was drowned. &#13;
&#13;
The following evening a hard WNW gale got up, and by dawn the Maltas masts and funnel had gone and she had split amidships. Her cargo provided the best display since the Le Landois; bolts of velveteen, calico, muslin, linen sheets, rugs, and carpets, casks of palm oil, kegs of spirits, handkerchiefs, bottles of wine and beer, and rolls of India rubber littered the coast. &#13;
&#13;
At a Board of Trade inquiry in November, Captain Lavis, though given an excellent character by Cunard, was found guilty of not navigating with due care and in a proper and seamanlike manner, and his certificate was suspended for three months.&#13;
&#13;
Description from Clive Carter, Cornish Shipwrecks: The North Coast (London: Penn Ltd, 1970), p. 21-22. </text>
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                <text>On October 15th 1889, the miners of St Just awoke to find the Cunarder Malta on the rocks, half a mile east of Cape Cornwall, beneath the Wheal Castle Mine. &#13;
&#13;
The 2,244-ton Malta had been launched in 1865 by G. &amp; J. Thompson of Glasgow for the Mediterranean service of the early Cunard Line. Brig rigged with a tall funnel, she was 39tft 3 inches in beam, and 303 ft long, excluding her magnificent female figurehead.  The engines were two-cylinder compounds by J. Jack &amp; Co of Liverpool. &#13;
&#13;
She had left Liverpool on October 14th 1889, bound for Genoa via Falmouth, with 2,000 tons of general cargo and nineteen passengers. &#13;
&#13;
Hazy weather thickened off Lundy, but Captain Richard Lavis decided not to reduce speed as the elderly Malta could barely raise nine knots. It was not until nearing Land's End and having failed to sight either Trevose Head or Godrevy light that speed was reduced and the lead prepared. &#13;
&#13;
The Malta then idled ahead until a lookout saw breakers on the port quarter, and she slid gently ashore below the black, dripping cliffs o Kenidjack Castle Headland. At first few on board realized that they were shipwreck. No on was quite sure where they were; above the roar of the swell came a rhythmic thudding that was assumed to be a railway engine, but in reality was the sound of the stamps crushing ore at the nearby cliff-top mine of Botallack. &#13;
&#13;
Cottagers from St. Just, Pendeen and Botallack were converging on the headland and as the Malta's boat came in two brothers waded out to it. Like most St Just miners, Edward and William Roberts knew the coast intimately working their own boat when work underground was slack, or in the summer evenings. They made several trips piloting the heavily laden ship's boat into a narrow gully, with the seas sweeping around them and guided only by lanterns. Coastguards and other miners helped the shaken passengers up the steep cliff, and soon they were all gathered before cottage fires at St Just.&#13;
&#13;
The Malta was only flooded forward so the crew stayed on board but at daybreak Falmouth tugs failed to shift her. By 11am she was pounding so heavily that the crew transferred to Sennen lifeboat and the tugs. Deck gear, stores, and baggage were salvaged, but at dusk one of the Malta's boat capsized, and James Roberts , one of the six Sennen Fishermen manning her, was drowned. &#13;
&#13;
The following evening a hard WNW gale got up, and by dawn the Maltas masts and funnel had gone and she had split amidships. Her cargo provided the best display since the Le Landois; bolts of velveteen, calico, muslin, linen sheets, rugs, and carpets, casks of palm oil, kegs of spirits, handkerchiefs, bottles of wine and beer, and rolls of India rubber littered the coast. &#13;
&#13;
At a Board of Trade inquiry in November, Captain Lavis, though given an excellent character by Cunard, was found guilty of not navigating with due care and in a proper and seamanlike manner, and his certificate was suspended for three months.&#13;
&#13;
Description from Clive Carter, Cornish Shipwrecks: The North Coast (London: Penn Ltd, 1970), p. 21-22. </text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>Serena Wadham</text>
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                  <text>SWA</text>
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                <text>Man (David Chapple?) working with dried flowers.</text>
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                <text>1963-1965</text>
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                <text>Negative</text>
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